Twitter manages to disappoint me everyday and last night was no exception. Canadian R&B-pop singer The Weeknd teamed up with French musician DJ Gessafelstein releasing a single Lost in the Fire a year and a half ago. The track was a part of Gessafelstein’s album Hyperion. The Weeknd faced flak for lyrics in the song that were homophobic and fetishized lesbian relations and at the same time delegitimized lesbianism.
Hip-hop and modern R&B are replete with heavy objectification of women, homophobia and perpetuating stereotypes that have no space in the society we envision. Thus results a friction between freedom of speech and modern morality. Language is an effective tool to effect social change and fight for justice but at the same time it can be used for the oppression and subjugation of marginalized groups. Artists are called out for all kinds of acts; overt or otherwise if they are problematic and inconsistent with today’s morality. The public demands apology and more often than not, artists do comply (do they really mean it though?).
However the consumer or the fans are left with a dilemma, provided they actually pay heed to what the oppressed/insulted have felt listening to the lyrics or at the artwork in whatever form. It is important to note that the oppressed group is not always homogenous either. They have varying levels of sensibilities and hence some of them might not find offense with the art and the artist. The fans then have to decide what course of action they choose, to listen to the artist, to ‘cancel’ the artist or to draw a mental line. I belong to the last category.
I am a huge fan of The Weeknd (I am listening to Lost in the Fire as I am writing this). I also understand that his lyrics are problematic and out of sync with modern sensibilities. But to say that I am homophobic because I listen to The Weeknd would be highly absurd. A few SJWs (Social Justice Warrior) were ridiculing a guy on Twitter for his adulation of The Weeknd which devolved into teenage immature drama (they were my age though).
When I shed light on the fact that Elton John defended Eminem stating that the Rap God couldn’t be homophobic, the SJWs conveniently avoided talking about that.
For all we know The Weeknd himself might not in fact be homophobic, but whilst dedicating the song to her muse he refers to her sexuality and might have express permission to do so. There’s no way to confirm that unless he himself talks about it. We are left free to speculate.
So should he apologize? Yes.
xo’twod
PS: I am aware that my overall tone in this post is supportive of The Weeknd, and that’s cause I am a fan, but here’s another link to prove that I’m aware of the impact of his lyrics.
-Tanmay