The unfailing genius of Murakami to draw me back

I spent over four months reading 1Q84 and while the journey was magical and intriguing, the conclusion was undramatic and predictable. I was broken, for this was the first time in over a year of continuously reading him that I’d been disappointed with Murakami. There were scathing reviews of 1Q84 that bashed him and his motifs and in particular his treatment of women.

I had absolutely fallen in love with his writing in The Wind-Up Bird Chronicle and Men without Women in 2019, and none other has come close to the pure magic in exhibited in The Wind-Up Bird Chronicle.

But I still picked Kafka on the Shore having heard so much about it, and it was a better experience, although the conclusion can be accused of being highly abstract. However Murakami employed quite cleverly the usage of metaphors, and declared so beforehand via philosophical discussions between characters (a signature of Murakami), thereby equipping us with the right tool to analyse the chapters which took place in the most random of settings with no particular link to the story. These Metaphors are symbolic of the trial of man (and woman), resulting in definite actions taken to resolve conflicts, depicted in the book as stationary places affording time to the character to make a definite choice. The apparent abstraction of those chapters concentrated at the end of the novel are perhaps one of the most elaborate and long metaphors to be employed in works of literary fiction.

In an interview in The Paris Review, Murakami quotes John Irving and says that a writer must make addicts our of his/her readers. I for one am said addict.

Tanmay

one face; many souls

Freedom of thoughts- your thoughts are your assets. Even the private ones. In fact it is our completely private and secret thoughts that keep us sane. Appropriate behaviour, subscription to certain morals in public for the society, appropriate language etc. are often argued to be nothing more than methods of controlling people in a manner that is soft and subtle but has far reaching consequences in actual social life.

One of the most common conundrums: How many times do you feel like you shouldn’t say something humorous because it may be grossly misunderstood to an extreme?

There’s no hard and fast rule to that. You could say something reckless and not in tune with modern social sensibilities- (said with the purest of intents)- and then face rebuke but as long as your own head space is fortified there’s a high chance your mental health won’t be affected.

How do you take responsibility though? What you say is an extension of yourself, and that “image” of yours can be crafted by you and then becomes open to the public to be scrutinised and painted upon. Responsible behaviour is part self-awareness and part knowledge of sensibilities. Both these fronts will never be a 100% correct for any individual.

Responsible behaviour would involve an adherence to not inflicting on others what you would never want inflicted upon yourself. Personal sensibilities vary with time and thus self-awareness kicks in. What you said in the past is not necessarily a true reflection of your present. But you don’t have to “delete” those expressions. Time and context.

So I revert back to the privacy of thoughts. To maintain your peace you may project an image but in the privacy of your thoughts you may choose to live completely contrary to what you said. And that is allowed. Your private thoughts aren’t policed yet and you should use them to their maximum potential for mental comfort, peace and learning.

This is a short summary of my thoughts on the matter. There are more facets involved to thoughts and thinking. We shall explore them slowly as we go along.

-Tanmay

red on green

pleas to sustain and spare the pain

we’re bared to you for your gain

no cloak no quilt

only a mother’s guilt,

watching the glee with which

my green roots and shoots

trembled under your creaky boots;

grumbling old men with jittery teeth

that clatter and grind over beetle leaves

and worms in gums that chatter together

leaving big stains and a cancerous pane

of crimson and brown and blood and hound.

grumbling old men that don’t hesitate

to strike check mate-

and bring my fate,

axes and picks and saws- a dozen

only to kill all millions heathens.

grumbling old men that use the knife

to kill all of their wives

it’s similar to that don’t you see?

I served them too with brilliant tea.

so life is cut and life is eased

life is cut and life is eased

for deserted plains that resemble grey

desperation and dismay

-Tanmay

cut the crap and work

we’re all grasses in a field

different shades

swaying in the wind

caressed by a dogs furs

or dumped on by his shit

and we let ants pass through

and let our earth be churned by worms

enjoying the minutest tectonic shift to the actual earth

still it’s important for our life

the adversity offered by the soil turners

helps in growth

or character

I don’t know

they say something along those lines,

but let’s go ahead swaying under

the winds of the city

carrying with them the ashes of, dreams-

fulfilled

and crushed.

we sense it all in an attempt

to make sense

and realise that

our soil is poor

we could have done more

but we were stuck with thinking

the grass is greener on the other side

the grass is greener on the other side…

-Tanmay

brown

Everyday we drink tea, resting the tea cups on round jute coasters on a large brown wood coffee table with an even larger brown tinted glass surface.

The tint makes the newspapers below look 30 years old- as if they were fished out from our storage room, but of course they bear today’s day and date- neat and crisp.

The rusk often drips into the tea as we stare into our respective screens on quiet mornings of days’ that we know entail toil. The unuttered desperation for rest adds to the silence, broken periodically by the stunted cries of stunted sparrows. The sparrrows are smaller than they used to be 20 years ago. Their plumage pathetic now, dirt-like instead of the browns that we have preserved in our eyes.

A three-some of green parrots show up at the window near the dining table, overlooking the cemetery. Always in threes, and always silent for the fear of attracting a predator who’d claw them down.

Only once have I sighted a large hawk in our skies, gawking over the cemetery as if it was its land. How would I explain to it that that land is disputed property…

-Tanmay

kids and poetry

Been a busy three days tending to poetic desires. It is a relief to know that if you keep your head down and put in the work, it’ll pay off.

Writing has offered a steady support for a long time. It’s an exercise that if done for pleasure will furnish peace. There’s endless possibilities of the magic that can be crafted through pen and paper. Once an idea strikes I translate it into an image, and I describe it as best as possible. Slowly I feel that the poem itself dictates how it’ll turn out to be and I am just a medium.

There’s a lot of exploration to do and I will keep sharing what I find as I find it.

-Tanmay

muse solaire

*

what hesitation do I hold, when the sun broke through me

how do I stop when you already hallowed mine pen with thy lips, and so I wrote on

the papyrus too thin, letting the letters suspend in the air- a curtain for your face

nestled in hair that beamed of spring in monsoon, evident of misplaced power commandeered by

the eyes, the eyes capable of inciting cold blooded murder and vanishing into sage like meditation,

altering the course of comets and destinies,

but lip service is all I am providing now, hoping that the letters be assimilated and drunk, hoping that there’s more…

*

-Tanmay

PS: I am in the mood for writing poetry only these days. Please bear with me.

sleeping

The devilish pleasure and luxury of being able to sleep the whole day, the whole night and the whole evening. There’s construction work going on in the apartment above us, and they were working in the room above mine. The noise under which I went to sleep was no joke. No room was spared either, the noises were everywhere. But I slept through, waking up in a compounded glory of multiple hollow meaningless victories.

It’s not even me skipping my responsibilities. They’re too less. What else am I supposed to do in a state of limbo, a state of lax muscles and an idle mind?

Any suggestions about better use of time would be welcome.

-Tanmay

unread stuff

I bought a hardcover box set of The Lord of The Rings, with the whole series divided into 7 small books. The set looks extremely sexy, it’s inviting and the blue and gold colours exude a sense of peace.

All that said I haven’t actually gotten to reading more than 80 pages of the first book. Tolkien is a genius but man he definitely takes his time to get to the point. It seems he’s screaming and laughing at us: “I have the goddamn luxury of time!”

What’s also awesome is the fact that he was friend with the writer of The Chronicles of Narnia, C. S. Lewis. It is said they both wanted to write fantasy and encouraged each other.

But I’ll get around to reading it, I’m sure. It is one of those books that should be read before your life is over.

-Tanmay

free (cheap) booze

elusive is the feeling of satisfaction

when the high tide fills me up

and then recedes

so I accept: “every high has its low”

the coin of life I suppose

wherein we resign

to luck and chance

we’re not entirely wrong to do so

move your limbs enough the right manner

and you’ll earn some respect

“rest you leave to luck”

they say

so I do that

and sometimes I don’t

a zeal to be a contrarian

keeps me sane and happy

the life of mechanics and logic seems bland

hence these images in my head constructed

from images of life

Polaroid eyes printing instantly

and the brain filling in the details

so finely that the cocktail is smooth

and keeps me happy

and for a second the elusive satisfaction is in my palms. warm and lucky.

-Tanmay